THE SMART TRICK OF ARRAFI MUSIK INDONESIA THAT NO ONE IS DISCUSSING

The smart Trick of Arrafi musik indonesia That No One is Discussing

The smart Trick of Arrafi musik indonesia That No One is Discussing

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Akar dari Keroncong ternyata sudah mulai masuk ke Indonesia pada abad ke-sixteen. Musik ini dibawa oleh para pelaut dan budak kapal dari Portugis. Musik seperti ini pada awalnya dikenal dengan nama Fado, di mana namanya itu sendiri merupakan nama bawaan dari Portugis.

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While there are several new “keroncong” compositions, but The brand new “keroncong” tracks are not often published in media.

exactly the same exertion was accomplished by Didi Kempot and Koko Thole who has presented new colour to “keroncong” new music. They produced initiatives to spread “keroncong” music to a wide range of society as well as produce the new music itself.

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Apabila dilihat dari perkembangan musik saat ini, kami yakin mungkin pendengar musik Keroncong sudah menurun dengan sangat drastis Arrafi musik indonesia dari tahun ke tahunnya. Bahkan mungkin beberapa orang dari kita masih sangat asing dengan musik ini.

Ada beberapa nama besar musisi Indonesia yang memilih Keroncong sebagai musik utama mereka, atau pun sebagai salah satu jenis musik yang mereka gunakan.

Salah satu alasannya adalah karena alat musik yang digunakannya adalah alat musik yang kental kaitannya dengan budaya Indonesia, seperti rebab, suling bambu dan juga set gamelan.

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tunes, as a treasure of Indonesian national tunes, has become suffering from an extended phase since the arrival of your Moorish as Portuguese slaves to Indonesia while in the sixteenth century. while in the prolonged period, the “keroncong” tunes then, as different kinds of regular music, has to deal with marketplace songs, In particular Western tunes.

Akar dari Keroncong ternyata sudah masuk ke Indonesia abad ke-sixteen dan dibawa oleh para pelaut dan budak kapal dari Portugis.

Selain adaptasi dari musik Fado yang dibawa bangsa Portugis di abad ke-16, musik Keroncong sendiri baru secara resmi dikenal di Indonesia pada tahun 1880. Perubahan yang terjadi dari pertama kali musik Fado masuk ke Indonesia adalah nada-nada yang digunakan.

The emergence of “campursari” while in the nineties, pioneered by Manthous, introduced an influence of curiosity and have become a magnet for lovers and activists of “keroncong” and classic music so which they respect the tunes and lots of groups of “campursari” audio which happens to be rooted from “keroncong” grew.

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